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About Me

Music gives us a way to connect.
Connection gives us a way to grow.

I’m a Registered Music Therapist (RMT) with a Master of Music Therapy from the University of Melbourne and over eight years of clinical practice across hospital, education, disability, aged care, mental health, palliative care and community settings.

Music therapist seated with a client during a warm, indoor session

How I came to this work

My path into music therapy began long before university. My godfather, a music therapy lecturer at New York University, taught me that music belongs to everyone — that nobody should feel judged for expressing themselves through it. That principle still underpins how I practise.

Rather than specialising early, I worked across as many clinical populations as I could. That transdisciplinary grounding shaped a resource-oriented approach: a wide repertoire of evidence-informed interventions, matched to each person’s presentation, capacity and preference, and adjusted through ongoing clinical review.

Qualifications

  • Master of Music Therapy — University of Melbourne
  • Bachelor of Music (Performance) — University of Melbourne
  • Registered Music Therapist (RMT)
  • Over 8 years of clinical experience
  • Clinical placement supervisor for students
  • Therapy assistant on a large-scale research project focused on developing an accessible music program for aged care facilities
  • Songwriter for a music-based early learning app for parents and teachers

Breadth of experience

My experience across diverse settings allows me to work with a wide range of clients and therapeutic goals. I draw on a broad range of skills and approaches to create personalised music therapy that is responsive to each person’s unique needs, strengths and interests.

Hospital & mental health

Work within holistic mental health teams in hospital settings, including transdisciplinary learning and collaborative care planning with psychiatrists, psychologists, counsellors, nurses and other hospital staff.

Multidisciplinary teams

Working alongside speech pathology and occupational therapy, ensuring goals are shared, reinforced and genuinely integrated.

Community & disability

Extensive community practice with children and adults with disability, neuro-developmental conditions and acquired brain injuries — adapted to home and daily environments to target real-world outcomes.

Telehealth

Delivering sessions online, with approaches designed to maximise engagement and resources that enhance therapy both on and off screen.

Group programs

Day programs, aged care and childcare settings — including performance elements and opportunities for music learning and social skill development.

Across the lifespan

Working with children, adults and older people across a range of settings, including schools, aged care, palliative care and community services.

What keeps me inspired

After a year of sessions, a non-speaking client sang one word — “be” — in the song ‘Let It Be’ for an end-of-year performance, met with tears and thunderous applause from family and staff.

I've known her for years and have never heard her voice, that was so beautiful!

Support worker / Staff

I worked collaboratively with a client in the palliative unit to write a song for the grandchild he would never meet — a parting gift to his pregnant daughter.

At least this way, even if I can't see him, he'll grow up knowing his grandad loved him very much.

CLIENT

A child was introduced to me by his parents as “non-verbal” but loved making animal sounds during ‘Old MacDonald’. After two years, his communication progressed to full sentences.

We used to cry and pray he would be able to talk, now sometimes we just wish he would stop talking!

Parent / Carer

After years of school sessions, I was able to have a meaningful conversation with an adolescent boy in which he committed to pursuing rap and music as a career.

I'm not trying to be like my parents and waste my life, after I graduate I'm gonna write songs about my life that people like me can actually relate to.

CLIENT

During a childcare group formed to support a client with selective mutism, she was able to make a “sss” sound with the group, which after several weeks progressed to her first word in public.

It's like something clicked and she's ready to join in now, I see the other children starting to play with her, and I've even heard her laugh a few times!

Educator / Staff

After a year of sessions, a non-speaking client sang one word — “be” — in the song ‘Let It Be’ for an end-of-year performance, met with tears and thunderous applause from family and staff.

I've known her for years and have never heard her voice, that was so beautiful!

Support worker / Staff

I worked collaboratively with a client in the palliative unit to write a song for the grandchild he would never meet — a parting gift to his pregnant daughter.

At least this way, even if I can't see him, he'll grow up knowing his grandad loved him very much.

CLIENT

A child was introduced to me by his parents as “non-verbal” but loved making animal sounds during ‘Old MacDonald’. After two years, his communication progressed to full sentences.

We used to cry and pray he would be able to talk, now sometimes we just wish he would stop talking!

Parent / Carer

After years of school sessions, I was able to have a meaningful conversation with an adolescent boy in which he committed to pursuing rap and music as a career.

I'm not trying to be like my parents and waste my life, after I graduate I'm gonna write songs about my life that people like me can actually relate to.

CLIENT

During a childcare group formed to support a client with selective mutism, she was able to make a “sss” sound with the group, which after several weeks progressed to her first word in public.

It's like something clicked and she's ready to join in now, I see the other children starting to play with her, and I've even heard her laugh a few times!

Educator / Staff

These moments in my work changed the way I view music. They made it less about performer and audience, and more about music that belongs to everyone: whether it’s a made-up lullaby between mother and child, a rap song blaring in a teenager’s headphones, or a shaky duet of “Fly Me to the Moon” between husband and wife.

We each develop a personal relationship with music, shaped by our experiences, relationships, culture and changing preferences across the lifespan. The fact that we can describe songs as “my music” reflects how closely music can become connected to our sense of identity and self-expression.

Music remains present across significant and everyday moments, evolving alongside us as we grow, develop and move through different stages of life.

In the session room

As a multi-instrumentalist, I adapt the musical medium to each client’s preferences, sensory profile and access needs.

  • Voice
  • Guitar
  • Piano
  • Drumkit
  • Clarinet
  • Saxophone
  • Percussion
  • Traditional Chinese flute

Above all else, music shouldn't need to feel perfect to be meaningful. That belief is what drew me to music therapy: that there is musicality in every person, and everyone deserves the chance to discover what it can mean for them.

Music therapy, to me, is music performance without the ego. It’s not about entertainment as much as it’s about empathizing.

Jodi Picoult